TIMOTHY ROY (b. 1987, Nederland, Texas) composes music steeped in imagery and allusion, which often seeks to conjure a sense of time, place, and feeling. With an output that encompasses works for acoustic instruments, electronic sound, and the intersection of these two realms, Roy endeavors to explore a broad range of mediums and contexts in which his work might be experienced.
Recent projects reflect an ever-growing engagement with visual art. In 2017, Roy fulfilled a commission from Musiqa New Music Collective for a work to be performed alongside a solo exhibition by Paul Ramírez Jonas at the Contemporary Arts Museum Houston. A work for live electronics driven by audience participation, The Many Become One was created as a compliment to Ramírez Jonas’s unique aesthetic. In Southern Specter for amplified chamber ensemble and video, produced in close collaboration with filmmaker Richard Johnson, music and visual share equal footing.
Roy’s music has been heard in concerts in Canada, Germany, Taiwan, the United Kingdom, Chile, Cyprus, Croatia, Slovenia, and across the United States, with performances by Ensemble Signal, the Little Giant Chinese Chamber Orchestra, the Saint Louis Chamber Chorus, Loop38, violinist Sayako Kusaka, and pianists Keith Kirchoff, Stacey Barelos, and Xenia Pestova. His music has been presented at such venues and events as the National Theater of Taipei, Music Biennale Zagreb, Birmingham ElectroAcoustic Sound Theatre (BEAST), Bowling Green New Music Festival, June in Buffalo, Toronto Electroacoustic Symposium, Sweet Thunder Music Festival, International Computer Music Festival (ICMC), Center of Cypriot Composers, Society for Electro-Acoustic Music in the United States (SEAMUS) National Conference, Electronic Music Midwest, and the International Electroacoustic Music Festival of Chile, “Ai-maako.”
Roy served as Composer+Intern with Musiqa New Music Collective during the 2016–2017 season, completing two commissions for the organization. Other commissions have come from Musiqa New Music Collective, the Little Giant Chinese Chamber Orchestra, Kansas City Arts & Music Alliance (KcEMA), the SMU Catholic Campus Ministry & Diocese of Dallas, and the Neiman Marcus Corporation.
Roy has received honors and awards from ASCAP/SEAMUS (Finalist, 2018), Sigma Alpha Iota Inter-American Music Awards (Winner, 2015), the International Competition of Electroacoustic Composition “Prix Destellos” (First Prize, 2013), Musicacoustica-Beijing Composition Competition (First Prize student mixed media category, 2012), the First International Jean Sibelius Composition Competition (Finalist, 2015), and the International Composition Competition “Città di Udine” (Finalist, 2012). Roy was most recently awarded an Artist-In-Residence fellowship through the I-Park Foundation.
Roy’s work Behind the Back for pipa and electronics appears on Crossings: Contemporary Music for Chinese Instruments, The Little Giant Chinese Chamber Orchestra’s debut album with Albany Records. His Salve Regina for chorus was recently added to the Edition Peters catalogue.
Frequently collaborating with musicians to present works for instrument(s) and electronics, Roy has recently performed electronic parts for Kate Soper's Voices from the Killing Jar (in close collaboration with the composer), Kaija Saariaho's Fall for harp and interactive electronics, and the North American premiere of Unsuk Chin's Double Bind?, a collaboration with violinist Haerim Elizabeth Lee.
From 2011–2013, Roy taught undergraduate courses in music theory, ear-training, and music technology at MidAmerica Nazarene University in Olathe, Kansas. He also held the position of Director of Music at Holy Family Catholic Church in Eudora, Kansas, from 2010–2015.
Roy is currently on faculty at Western Michigan University, where he teaches composition as well as undergraduate and graduate courses in music theory. He is also completing a doctorate at Rice University’s Shepherd School of Music, where he has taught electronic music, theory, and composition, and served for three years as the Teaching Fellow for the Rice Electroacoustic Music Labs (REMLABS). Roy’s primary teachers have been Pierre Jalbert, Kurt Stallmann, Karim Al-Zand, James Mobberley, Chen Yi, and Paul Rudy.
Recent projects reflect an ever-growing engagement with visual art. In 2017, Roy fulfilled a commission from Musiqa New Music Collective for a work to be performed alongside a solo exhibition by Paul Ramírez Jonas at the Contemporary Arts Museum Houston. A work for live electronics driven by audience participation, The Many Become One was created as a compliment to Ramírez Jonas’s unique aesthetic. In Southern Specter for amplified chamber ensemble and video, produced in close collaboration with filmmaker Richard Johnson, music and visual share equal footing.
Roy’s music has been heard in concerts in Canada, Germany, Taiwan, the United Kingdom, Chile, Cyprus, Croatia, Slovenia, and across the United States, with performances by Ensemble Signal, the Little Giant Chinese Chamber Orchestra, the Saint Louis Chamber Chorus, Loop38, violinist Sayako Kusaka, and pianists Keith Kirchoff, Stacey Barelos, and Xenia Pestova. His music has been presented at such venues and events as the National Theater of Taipei, Music Biennale Zagreb, Birmingham ElectroAcoustic Sound Theatre (BEAST), Bowling Green New Music Festival, June in Buffalo, Toronto Electroacoustic Symposium, Sweet Thunder Music Festival, International Computer Music Festival (ICMC), Center of Cypriot Composers, Society for Electro-Acoustic Music in the United States (SEAMUS) National Conference, Electronic Music Midwest, and the International Electroacoustic Music Festival of Chile, “Ai-maako.”
Roy served as Composer+Intern with Musiqa New Music Collective during the 2016–2017 season, completing two commissions for the organization. Other commissions have come from Musiqa New Music Collective, the Little Giant Chinese Chamber Orchestra, Kansas City Arts & Music Alliance (KcEMA), the SMU Catholic Campus Ministry & Diocese of Dallas, and the Neiman Marcus Corporation.
Roy has received honors and awards from ASCAP/SEAMUS (Finalist, 2018), Sigma Alpha Iota Inter-American Music Awards (Winner, 2015), the International Competition of Electroacoustic Composition “Prix Destellos” (First Prize, 2013), Musicacoustica-Beijing Composition Competition (First Prize student mixed media category, 2012), the First International Jean Sibelius Composition Competition (Finalist, 2015), and the International Composition Competition “Città di Udine” (Finalist, 2012). Roy was most recently awarded an Artist-In-Residence fellowship through the I-Park Foundation.
Roy’s work Behind the Back for pipa and electronics appears on Crossings: Contemporary Music for Chinese Instruments, The Little Giant Chinese Chamber Orchestra’s debut album with Albany Records. His Salve Regina for chorus was recently added to the Edition Peters catalogue.
Frequently collaborating with musicians to present works for instrument(s) and electronics, Roy has recently performed electronic parts for Kate Soper's Voices from the Killing Jar (in close collaboration with the composer), Kaija Saariaho's Fall for harp and interactive electronics, and the North American premiere of Unsuk Chin's Double Bind?, a collaboration with violinist Haerim Elizabeth Lee.
From 2011–2013, Roy taught undergraduate courses in music theory, ear-training, and music technology at MidAmerica Nazarene University in Olathe, Kansas. He also held the position of Director of Music at Holy Family Catholic Church in Eudora, Kansas, from 2010–2015.
Roy is currently on faculty at Western Michigan University, where he teaches composition as well as undergraduate and graduate courses in music theory. He is also completing a doctorate at Rice University’s Shepherd School of Music, where he has taught electronic music, theory, and composition, and served for three years as the Teaching Fellow for the Rice Electroacoustic Music Labs (REMLABS). Roy’s primary teachers have been Pierre Jalbert, Kurt Stallmann, Karim Al-Zand, James Mobberley, Chen Yi, and Paul Rudy.
Curriculum Vitae (updated December 19, 2018)