TIMOTHY ROY
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Southern Specter

2018
flute, violin, viola, cello, piano + video
ca. 13'
Commissioned by Musiqa New Music Collective for Loop38
a collaboration with Richard Johnson, video artist

List of Performances
southernspecter_score_6.9.18_.pdf
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…the eerie drama of Timothy Roy's score - as performed by the accomplished musicians of Loop38 - delved deeper, seeming to animate filmmaker Richard Johnson's shifting rumination on Spanish moss. The ghostly apparitions of Johnson's film, sometimes seen in microscopic close-up and at others in a morphing kaleidoscope, came fascinatingly alive as Roy's complex score seemed to propel Johnson's images." — Houston Chronicle (Click here for full review)
One of the most striking and defining visuals of the United States Deep South is that of the southern live oak tree (Quercus virginiana) shrouded in Spanish moss (Tillandsia usneoides). A tangled and bluish-grey flowering plant, Spanish moss can be seen draped from the sprawling, gnarled branches of oaks throughout the region, hanging ghost-like across its swampy landscape. Southern Specter adopts this poetic image as its subject and is comprised of two different kinds of music. The first is both representational and external, in that it seeks to be a musical embodiment of a moss-covered tree, depicting the delicate moss swaying in a gentle breeze and the tree’s appearance under various gradations of sunlight. The second kind of music is expressive and internal, seeking to convey the various thoughts and feelings one might have upon viewing such an image. Having grown up on the Gulf Coast of Texas, I could not help but channel my own emotional experiences which have ranged from serenity, solemnness, and nostalgia to gloom and ominousness. Richard Johnson’s accompanying film plays with analogous concerns on the visual front: perspective, representation versus abstraction, light and shadow, and ambiguity.

Special thanks to Jungle Gardens of Avery Island, Louisiana, for film footage and inspiration.
 
 
Performances
  • “Essential Connections 2” exhibition at Gallery 220 (looping audiovisual version) Curated by Havre de Grace Arts Collective. Havre de Grace, MD. Continuous from June 2–July 15, 2023.
  • Multimedia Arts Technology Fall Concert. Dalton Center Recital Hall, Western Michigan University. October 11, 2022.
  • Earth Day Art Model. Telematic conference hosted by the Donald Tavel Arts and Technology Research Center. April 23, 2022.
  • Audiovisual Frontiers, UC Riverside — virtual exhibition, Nov. 2021
  • New Music on the Bayou — Monroe, LA. June 5, 2021
  • SCI National Conference — virtual concert, May 19, 2021
  • Digital Nature 2019 exhibition, Los Angeles County Arboretum. February 27–March 3, 2019
  • Composers Forum —  Rice University, Houston, TX. Loop38 Ensemble. April 8, 2018
  • Musiqa New Music Collective — Midtown Arts and Theater Center, Houston, TX. Loop38 Ensemble. March 3, 2018
           

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